Nano Banana 2 hero

Google Nano Banana 2

Create photorealistic 4K visuals with perfect prompt adherence and the fastest generation speed.

0%
Generating
Create an account to see generated video

Sign up and generate for free

You
Author
PROMPT

INFORMATION
ModelLoading...
Prompt required
Features

What sets Nano Banana 2 apart

Flexible image sizes and styles

Adjust styles, characters, and compositions for any project, whether you’re creating quick drafts or high-fidelity final assets.

Guide visuals with multiple images

Keep characters, scenes, and details consistent. Include up to 14 reference images to guide precise style and composition.

Fast creation without compromise

Generate professional-grade images faster without sacrificing quality. Nano Banana 2 keeps up with high-volume workflows, so you can produce and iterate quickly while delivering high-fidelity outputs.

All-in-one creative workflow

Use Nano Banana 2 right inside SpaceMotion’s AI Toolkit to create visuals from text or images, whether you’re working solo or with a team.

What you can create

Cinematic Cinematic Product Product Portrait Portrait Concept Art Concept Art

FAQ

Questions,
answered.

Try Nano Banana 2

Nano Banana 2 transforms text prompts or images into high-quality visuals. It handles complex prompts, text-to-image and image-to-image workflows, up to 14 input images, and outputs at resolutions up to 4K (512px, 1K, 2K, and 4K).

Powered by Gemini 3.1 Flash, Nano Banana 2 is significantly faster and more accurate than previous versions. It maintains a uniform style across references and creates production-ready outputs with minimal adjustments.

Yes — this is one of its strongest upgrades. Nano Banana 2 treats text as a first-class element, not a visual texture. It can generate legible headlines, product labels, UI mockups, and even translate or localize text within the image.

The model maintains character consistency for up to 5 distinct characters and tracks fidelity of up to 14 objects in a single workflow. This makes it practical for storyboarding, multi-character scenes, and complex compositions.

Nano Banana 2 generates images from 512px up to 4K, across multiple aspect ratios. Whether you need a vertical story frame, a widescreen hero image, or a square social post — the model handles it natively.

Nano Banana 2 is optimized for speed and scale at high volume. Nano Banana Pro is tuned for production-ready workflows requiring the highest visual fidelity, precise text, and stronger scene reasoning.

Get inspired

Made with Nano Banana 2

A glimpse at what the community is creating right now.

A travel photograph of a woman standing at the entrance of a Rajasthani haveli, peering through an ornately carved stone jali screen. Her eye is visible through one of the geometric apertures, surrounded by the intricate lattice. She wears a deep blue dupatta draped over her head. The light through the screen creates a pattern of complex shadows on her face and the stone floor. Shot from inside looking through the jali toward the exterior. A lo-fi digicam shot of a guy sitting on a fire escape in New York at night, one leg dangling. He wears a heavy knit fisherman sweater in ecru, dark green track pants, and socks with slides. The city below is a warm haze of window lights and car headlights. He's eating a bodega sandwich. The fire escape railing creates a geometric grid around him. Direct flash from the camera, hard and flat, washes him out while the city behind glows naturally. The vibe is deeply unglamorous and real. A deeply intimate portrait of a nurse removing her PPE at the end of a long shift — mask marks imprinted on her cheeks and nose, hair matted from wearing a cap all day. She sits on a plastic chair in a corridor. She stares into the middle distance. She is too tired to perform anything. Shot from a few feet away, quietly, with available light. The image is about labor, sacrifice, and the private face of care. A fashion editorial shot of a male model, early 20s, sitting backwards on a chair in a sparse studio, arms folded across the chair back, chin resting on forearms. He wears a meticulously tailored double-breasted suit in dusty terracotta with wide chalk-stripe and an open-collar silk shirt. His hair is close-cropped, one gold stud earring. Lighting is dramatic — a single Fresnel from above left, creating a half-lit face with sharp jaw shadow. Expression: bored, beautiful, unbothered. A medium shot of a woman in her late 20s studying for a professional exam at a diner booth at 2AM, surrounded by textbooks, highlighters, and empty coffee cups. She wears scrubs — she works at a hospital and has come here after a long shift. She looks exhausted but determined. The diner is otherwise empty save for a cook visible through the kitchen hatch. Fluorescent light, steam, a slice of apple pie she's barely touched. A medium candid of a toddler, maybe two years old, sitting on the floor of a busy toy store, completely absorbed in looking at a single wooden train in her hands. The store around her is a kaleidoscope of toys. Parents are visible at various distances. She doesn't notice any of it. The entirety of her world is this small train. Shot from crouching eye-level, the world enormous around her small still focus. A tight editorial crop of a woman's hand releasing a handful of wildflower seeds into the wind, the seeds suspended mid-air, some already carried sideways by the breeze. Her fingers are slightly blurred from the release gesture. The background is a blurred meadow in warm afternoon light, golden and abstract. The seeds are in perfect focus, tiny, light, free. A medium still-life photograph of a library's returns desk: a stack of books returned over the course of a day, still in the pile they were left in. Some have library receipts still tucked inside. A half-drunk mug of staff coffee. A small potted succulent. A framed poster for a local author event from three months ago. Fluorescent library light. This is an institution's still life — full of people who aren't in the frame. A wide editorial of a woman in a chartreuse yellow oversized blazer and coordinated trousers standing in a brutalist car park — the kind with exposed concrete spiraling ramps. She stands at the center of a concrete ramp curve, the geometry perfectly framing her. The concrete is rain-wet and reflective. The yellow is the only warm color in an entirely grey composition. Shot from below the ramp. Medium close-up of a Korean woman in her late 20s standing at a rain-slicked Seoul crosswalk at night. She holds a transparent PVC umbrella casting prismatic halos around the neon signage reflected in the wet asphalt below. She wears an oversized charcoal wool coat, glossy black knee-high boots, and a tiny pearl-clasp bag. Her expression is detached, mouth slightly open as if mid-thought. Shot on a 50mm with natural neon fill light and cool blue ambient. Hyper-real skin texture, visible raindrops on the umbrella surface. A close-up of a woman's fingers on the strings of a classical guitar — mid-chord, fingers pressed. The nails on the right hand are kept long and smooth for plucking; the left-hand nails are closely clipped. The calluses on the left fingertips are visible. Shot from above the soundhole, looking down the neck. The warm wood grain of the guitar body fills the background. Shot in natural window light. A wide establishing shot of an underground swimming pool in a Victorian bath-house — the original tiles still intact, domed ceiling with arched windows, natural light filtering down through old glass. A single swimmer in the middle of a lap, alone in the pool, their wake spreading outward in perfect ripples. The architecture is extraordinary. The swimmer is ordinary. Together: something like a painting. A lo-fi digicam photo from a house party in the early 2000s: a close-up of someone's wrist wearing a collection of those cheap plastic-bead friendship bracelets — at least fifteen of them, stacked from wrist to mid-forearm in a rainbow of colors. In the background, slightly blurred: red plastic cups, a couch, a wall with a poster of a rock band. On-camera flash. The wrist is the focal point; the party is the context. A medium shot of a woman in her 50s, a scientist, at a research station in Antarctica, outside in the full cold, face wrapped in a balaclava, goggles, a red parka. She's reading data on a handheld device. The landscape behind her is white, flat, and infinite. The cold is almost visible. The image is about women in extreme places doing essential work, completely mundanely. A wide, warm outdoor editorial of a South Asian wedding reception — a tent of extraordinary flowers overhead, long tables of guests in bright traditional dress, string lights, the sound of a dhol drum implied by the composition. Shot from the edge of the tent, looking down the length of the main table. Everyone is mid-moment: talking, laughing, reaching for food. No one is posing. The image is pure life.
View all Nano Banana 2

Start creating with Nano Banana 2

Join thousands of creators pushing the boundaries of AI.

Get Started
0%
Generating
Create an account to see generated video

Sign up and generate for free

You
Author
PROMPT

INFORMATION
ModelLoading...
Prompt required